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Martin Stower wrote:
> I should not at this point have to tell you whether or not Vyse
> was first into the chambers.
It's OK if you don't know. I wasn't there either.
> Vyse at all times was working with numerous other people.
> Perring catalogued the marks in the course of making sectional
> views of the chambers. Vyse wanted better, so he set Hill to
> making 1:1 facsimile copies. The first set of these was
> checked for accuracy and signed by a group of witnesses.
Yes. This is the catalog to which I referred.
> All of this stuff about Vyse frantically changing the marks
> (why would he?) has been properly consigned to La-La Land.
We have Vyse with a paint brush in his hand, do we not? Isn't this being caught literally red handed. The question now seems to be how extensive were the revisions.
> I should not at this point have to tell you whether or not Vyse
> was first into the chambers.
It's OK if you don't know. I wasn't there either.
> Vyse at all times was working with numerous other people.
> Perring catalogued the marks in the course of making sectional
> views of the chambers. Vyse wanted better, so he set Hill to
> making 1:1 facsimile copies. The first set of these was
> checked for accuracy and signed by a group of witnesses.
Yes. This is the catalog to which I referred.
> All of this stuff about Vyse frantically changing the marks
> (why would he?) has been properly consigned to La-La Land.
We have Vyse with a paint brush in his hand, do we not? Isn't this being caught literally red handed. The question now seems to be how extensive were the revisions.
Man fears the pyramid, time fears man.