I read the OP and lots of other of the posts.....this is a long one, but I will place my comment as the last one under Jon, but it is meant for Bauval, Fuzzy and others who had in the past, or are now making comments that I do not agree with.....which is my prerogative....

A REALITY CHECK?

As for Erdmann and Gorlitz - they have lied so much, how can they ever be believed….if one were to believe them, why? What is the agenda of some one wanting to believe wrong doers???????

And YOU BAUVAL offered to be their attorney to help them and “get them off…”…Yes, I listened to the Capricorn Radio show you did…..

What book are you wanting to write now Bauval?

Bauval, maybe you have conveniently forgot all of this:

[circulartimes.org]

AND
FUZZY, Bauval’s BFF (and even Bauval might have been egging him to write it due to Bauval being pissed I wrote the truth about Bauval’s behaviour ) anyway, FUZZY claimed on MA’AT, that I WAS SUSPECT of vandalizing the Cartouche (of course, only AFTER I HAD FACEBOOK TAKE DOWN BAUVAL’S PAGES due to copyright infringements) ….If Ma’at is still up and has archives, those posts of FUZZIE’S should still be there…..I can not believe all of this crap you try to dig up Bauval as if you have nothing better in your life to do than to draw attention to yourself attempting to be read as an intellectual……

As for Schoch, I have been with Schoch when he claimed a stone faced shallow well pit hole in Bosnia was an ancient stone construction, saying, “Yes, yes, to Semir….” - when in reality it was new stone construction that was laid to resemble old construction - Schoch knows NO DIFFERENCE….. I also saw and heard Schoch tell Semir on the first day we were on the Sun Pyramid that he agreed with Semir that the stone was actually concrete. I had to point out to Schoch HE WAS INCORRECT…..Schoch also asked me what I thought of the STONE SPHERES in Zavidovici before he would say anything about them - I TOLD SCHOCH those spheres were obviously NATURAL, NOT MAN MADE ….Oh, yeah, right……….Jesus…….you do not know what I know about Schoch…….

I was in the Relieving Chambers with Schoch, I placed my hand on the top of the ceiling (I forget which one at this very moment, but I have video of my voice remarking that, “Hey, this is plaster on here…” Schoch said, “NO, it is granite.”…..and I told him, “No, that it was plaster and I could feel the trowel strokes, the various sand, and that granite did not feel that way” (at least not the part of the ceiling that I was feeling)..I paraphrased just now, but that is the gist of it….. - I felt it all in the dark, there was no light where we were standing at that time, I knew by the “feel” of it, as I am much experienced with plaster and the various materials, textures, ect. as I have plastered by my OWN HAND for many years and used my hands to feel where I needed to smooth it out or add more…it is something you become very familiar with, like a master guitarist does not have to look at his frets and strings, he just knows what he is playing as he feels it in his heart and hears it in his soul…..I later found out that I WAS CORRECT, that there was indeed plaster on the ceilings AND in THAT particular chamber.….I also saw Schoch POINT to troweled old plaster/joint mortar on the back side of Campbell’s and claim it was stone….I could go on about Schoch’s idiosyncrasies with Egypt and other sites I have been to with him, and his ever changing stand on many things, that he goes with the flow of what he thinks will make him more popular as time moves on, such as Marakawasi in Peru……When he initially came back, he told me NOTHING was of value there, he saw no real actual hand carved images of faces and monsters etc…., people just had it in their minds that all of the strange formations were man made, nothing special about it = but then he WROTE an article in NEW AGE terminology to promote Marakawasi as a hip and awesome place to go, even using my colleagues’s terminology (John Michell - after I suggested he read some of John’s books) to describe the area (like hey Schoch, that is not cool, figure out your own words to use = at least in the end when it was pointed out to him, he did credit Michell -but geez folks, consider what goes on in the background, behind the scenes that you may not be aware of with these guys)…..then Schoch writes forwards to books and so forth on Marakawasi, written by so called new age thinking authors…….and on and on…..Schoch likes to sell himself and will rewrite, make statements, do what he can do to get himself involved with new enthusiasts to further his narcissistic agenda of me, me, me, and more me in the mirror….YOU BAUVAL, MUST KNOW THIS, I see YOU DO THIS AS WELL - You KNOW I am being truthful….YOU BAUVAL even used photographs without my permission and posted them on your Facebook account, I had to contact Facebook and request a copyright infringement…YOU NEVER ASKED and posted them as if they were yours…..What about when you realized Prof. Gerald Hawkins was my adopted father, and you then had to admit you used his work in your “Egypt Decoded” (as in, “ Stonehenge Decoded”), the title you were initially going to give it, but you gave it something else, but you used Gerald’s surveys and ideas about Egypt …maybe you eventually gave Gerald credit, I do not know, I never read your book on it….but I still have the emails between you and me when I told you about Gerald passing etc. and my relationship with him and what you wrote me back about your so called “Egypt Decoded”…..

Anyway, Schoch knows nothing about construction, or hand painted art/lettering signs - I DO - I am a Licensed California State Board General Contractor ( in-active status now ) ….My forte was monumental design, working with stones, block, tile, concrete, paster, etc…….I had to point out to Schoch he was wrong about the many claims he attempted to make, and I had to put a stop to his fancies before he would publish them….it was insane……it is still insane what goes on. .

I am also an artist; with that I am also schooled in sign painting and storefront design, layout of text, graphics, etc…..I know what brush to use, what kind of paint on any surface, and how to stroke the various fonts……I may be wrong but I BELIEVE THE CARTOUCHE IS A FAKE…..I have also created graphics to display and exhibit how I came across my reasoning, however, due to certain issues with others, I gave up on even writing an article/paper on my findings and publishing it……I have many skills in the building, design/art fields…..I also am educated in astronomy, geology and chemistry from college, as well as hold a PhD in Natural Medicine as well as many other high skills achieved.….I know right from wrong, I have a keen sense of intuition….there are times I get bugged, and think I need to see what is up here at GHMB…..each time I feel that way, I end up seeing bogus crap about some one wanting to promote Bosnian pyramids for Semir, or bits like now, on the CARTOUCHE - things I have actually been personally involved with on the research……I may not agree with many of you, and at times I write firmly about my experience and beliefs…..I admit I may be wrong, so I write, “maybe” and “possibly”……So, I may be wrong about the Cartouche, but from what I have seen, analyzed and my own education and experiences, I personally believe the Cartouche is a fake. NO, I have never read Sitchin….

And Bauval, I do not make claims such as you e.g., “A new cartouche was found in the chamber and I discovered it, it must be there, I am the first to see it, there are other images on the stone behind the other stone - etc….I found a cartouche that is behind a wall, that no one ever knew was there because it can not be seen = ad infinitum….”

Good grief, if Scott wants to write a book of what he feels is relevant, why not allow him to do that when all of the other alt history boys are doing the same and come up with really far out trips that they manipulate the needy to believe - and for a profit…..