Mysteries :
The Official GrahamHancock.com forums
For serious discussion of the controversies, approaches and enigmas surrounding the origins and development of the human species and of human civilization. (NB: for more ‘out there’ posts we point you in the direction of the ‘Paranormal & Supernatural’ Message Board).
Origyptian Wrote:
-------------------------------------------------------
> Martin Stower Wrote:
> -------------------------------------------------------
> >
> > On what rational basis are they exempt from
> suspicion and the others not?
>
> As previously stated:
>
> 1. It doesn't seem possible to forge paint
> marks located tightly between boulders that can't
> be easily moved.
> 2. The solitary "Khufu" cartouche is unique and
> doesn't conform with the other "Khnum-"
> variants.
>
> The unique Khufu cartouche is the only set of
> paint marks whose authenticity I consider to be in
> question up there in the RCs.
1. As no end of people have noted, there are no clear reports of any of the names (cartouche or otherwise) being located between the blocks.
2. Each of the inscriptions is unique in some respect.
I am seeing neither the rationale nor the rationality.
M.
-------------------------------------------------------
> Martin Stower Wrote:
> -------------------------------------------------------
> >
> > On what rational basis are they exempt from
> suspicion and the others not?
>
> As previously stated:
>
> 1. It doesn't seem possible to forge paint
> marks located tightly between boulders that can't
> be easily moved.
> 2. The solitary "Khufu" cartouche is unique and
> doesn't conform with the other "Khnum-"
> variants.
>
> The unique Khufu cartouche is the only set of
> paint marks whose authenticity I consider to be in
> question up there in the RCs.
1. As no end of people have noted, there are no clear reports of any of the names (cartouche or otherwise) being located between the blocks.
2. Each of the inscriptions is unique in some respect.
I am seeing neither the rationale nor the rationality.
M.